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Cube and the Face

图书信息

作者Didi-Huberman,Georges
出版社Diaphanes
ISBN9783037345993
出版时间2015-07-15
字数26.6万
分类Diaphanes,进口书,外文原版书,其他

读书简介

Alberto Giacometti's 1934 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional-a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait-or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others Giacometti counted as influence, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work.

目录

Note

Buried Face

Face of the Orientation that Cannot Be Found

Face of the Drawing that Seeks its Volume

Face of the Cage and the Transparent Crystal

Face of the Bodies that Come Apart

Face of the Impossible Dimension

Face of the Dead Heads

Lost Face, Face of the Father

Face of Opacity and the Blind Crystal

Face of Shadow and Spacing

Melancholic Face

Face of the Drawing that Seeks its Notch

Face for Finishing with the Object

Buried Face

Mira Fliescher and Elena Vogman In the Face of the Unface

Credits